kitchen wall art

kitchen wall art: kitchen wall art
POSTED ON JULY 29, 2020 BY FGB
29
Jul

M4034S-4211
The kitchen is central in homes today and it should provide inspiration to those working in it. To serve this purpose the kitchen should be decorated to give the occupants a sense of comfort and pleasantness. Ways in which a kitchen can be decorated are many but the most popular is wall art. Themes such as Tuscan style, modern, and contemporary, and country styles are some of the more trendy approaches to kitchen wall art.

The Tuscan style kitchen wall art makes use of warm and rich colors like deep reds and purples, oranges and olive greens. Murals that feature the rolling hills of the Tuscan countryside, paintings depicting the rich wines and grapes of the area and illustrations of the stunning vineyards of northern Italy are a few ideas of what this elegant kitchen wall art style would entail. This art style gives the ambience of richness and warmth.
Modern and contemporary art has an expansive variety of wall art; abstract art, photography, and pop are just some of the many ideas you can incorporate into your kitchen wall art. Some like to have a theme of black and white when decorating their kitchen walls or on the other hand a striking multicolored collage. This style of kitchen wall art is futuristic and innovative and one can let their imagination run wild when choosing this style of art.

In comparison to the modern and contemporary style, the country style is more rustic and quaint. Depictions of fresh fruits and vegetables, rustic signs, roosters and other barnyard animals are the common features of country style art. No rules govern this type of decoration; one simply has to decorate with the feeling of wanting to create a warm and cozy feeling in the kitchen; it is open to any definition that one would have of “country”. The end result of such a kitchen wall art is a pleasant and inviting mood, a charming and cozy country kitchen.

Other appealing themes of kitchen wall art include food and cuisine art, alcohol art, pasta art, international cuisine art, herbs and spices, and fruits and vegetables. Given all these various styles making a choice seems difficult but in selecting from them, one should pick the one that best portrays you and the one that will inspire you to work happily and creatively in the kitchen. All the time spent decorating will well be worth it in the end because being in the kitchen will be enjoyable indeed.



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Painting Throughout History

Painting Throughout History: Painting Throughout History
POSTED ON JULY 25, 2020 BY FGB
25
Jul
Title:
Painting Throughout History


M4034S-4211

Summary:
Painting is the art of applying pigments to a surface whether it is on paper, canvas, a wall or any other medium, to create an image with lines and colors. The image can represent real objects found around us or imaginary ones.

Keywords:
Artists, art, artist, painting, history

Article Body:
Painting is the art of applying pigments to a surface whether it is on paper, canvas, a wall or any other medium, to create an image with lines and colors. The image can represent real objects found around us or imaginary ones. It may also be an arrangement of abstract forms. The art of drawing is very essential in painting as one step together with composition and other aesthetic consideration in forming the finished work.

History has allowed painting to serve a variety of functions. It was an important part of religious rites during prehistoric times. It was also the most common means of providing a visual record of events and people. By the 20th century, painting has become a medium of personal expression. Modern artists have incorporated other materials such as sand, cement, straw and wood to add variation to the texture. The concept has slowly eclipsed the historic value of the craft but this has not deterred most artists to continue practicing it.

The Prehistoric times saw paintings of animals in the walls of the caves of primitive men. The Egyptians decorated tombs with scenes depicting the dead man’s family and possessions. The more lively Minoan painting was used to decorate stuccoed walls of palaces. Mycenaean culture changed this painting to depict conquests and hunts. Classical Greek paintings have simplified forms and geometric patterns. Etruscan painting put emphasis on silhouettes, ornamental contour and design. There was a new interest in emotional and psychological effects as seen on Roman painting. Early Christian painting rejected illusionism where modeling was replaced by flat decorative patters. The Byzantine style combined elements of Greek, Roman and Eastern art. Much of the decoration was done in Mosaic which was highly favored due to its durability. Islamic artists created ornamental designs called arabesques because the Islam religion forbade representation of human beings in art. Chinese and Japanese painting revealed the constant extraordinarily skillful use of the brush.

Early medieval painting is characterized by Celtic, Carolingian and Romanesque art where form has been adapted for the illustration and illumination of Christian texts. Gothic art generally depicted subjects related to architecture. The Pre-Renaissance period show a revival of interest in classical art. It produced the International style which is characterized by refinement, decorative movement, elongated and swaying figures and linear pattern. The perfection of the technique of oil painting during the Late-Gothic period made it possible to produce brilliant colors, minute details and permanence of finish.

The Renaissance period put much emphasis on man and the world rather than God. High-Renaissance was generally applied to the period when the idea of classical, balanced harmony was achieved. The Mannerist style followed which was ironically characterized by disturbing tensions and distortions. It was soon replaced by Baroque painting which used the elements of dynamic pose, gesture and composition as well as the sharp contrast between light and shadow. The style of the 18th century exalts color, light and movement and bordered on the frivolous and concern with pleasure. It was during the latter part of the period that artists began to paint for themselves rather than to please the church. The 19th century gave rise to Romanticism, Realism and Impressionism. Expressionism, Fauvism, Cubism, Dada, Surrealism and Non-Objective art are all products of the 20th century.

Time has produced several styles, each a reflection of what happened during a certain period. This is why a painting is able to provide anyone with a rich visual experience that cannot be found anywhere else. You can only learn to appreciate a painting by reading and studying information about artists, styles and periods. From there, you will see each work and the particular point of view as seen by the artist himself.



 tagged abstract canvas art, abstract oilpainting, Abstrct, Acrylic paint, art gallery, artist, artwork, canvas art, canvas wall art, Decorative art, gallery, Great art, Home & Living, Home Décor, modern art, original Art, original artwork, original paintings for sale, paintings, Wall art, wall Décor.

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How to Look at Modern Art

How to Look at Modern Art

How to Look at Modern Art: POSTED ON JULY 23, 2020 BY FGB
23
Jul

M4034S-4211
How to Look at Modern Art
There are many who look at the highly creative world of modern art with confusion and maybe a little bit of distain. Because so much modern art is nonrepresentational, it isn’t easy to understand what the artist is trying to say. But even if there are figures and images in the artwork, so often it resembles a dream where relationships and juxtapositions of images can be confusing and hard to interpret.

The artists who work in modern art sometimes make that interpretation just as difficult by adding illogical names to the art work or even no names at all. Who hasn’t looked at a Jackson Pollack piece that is simply titled the date the artist finished the work and thought, “Well, that doesn’t help understand it at all.”

The key to modern art however, is to let go of the need for representational images. The artist is communicating through a completely different approach to the act of creating art. Modern art is almost entirely intuitive. While we view representational art both with our minds and our souls, the modern artwork is best viewed almost entirely though that side of your personality that is spiritual, emotional, intuitive and with the artistic instincts of the soul.

This means that you approach viewing a piece of modern art differently than you would a representational piece. Here is a method for absorbing and appreciating what the artist is trying to say to you.

· Suspend your judgment of the piece until the entire viewing is over. Don’t “try to figure it out”. Simply allow the piece to speak to you intuitively as it comes off of the canvas or pedestal.

· Start out standing far enough back from the piece that you can see the entire image in one view. Some modern art pieces are exceptionally large so you may have to stand quite far away to be able to see the entire work without turning your head. Again, don’t think about what it means. Simply allow the piece to exist in front of you. Allow your eyes to rove over the piece, traveling side routes and then returning to the total view.

· Slowly walk toward the piece. If there are others there, wait until they are not nearby to distract your view. As you move in, try not to move your head a great deal. The effect will be you will be drawn into the artwork.

· Slowly get close to the artwork, even within a few inches. As with all art, never touch the artwork. But you can get close enough to see the intricacies of the paint or other materials used in the art work. Study these and see if you can detect the movement of the artist.

· Turn one direction and walk looking sideways at the artwork. You may have to look up and down to gather as much about every aspect of the work as you can. If you need to, crouch to see the lower parts of the work. If it is a sculpture, walk around the piece, observing every detail of its construction.

· Take all the time you need for this detailed observation of the art work. Be patient.

· Turn and walk back to your original spot without looking at the artwork. Wait looking away until when you turn, you will have a clear, unobstructed view of the artwork.

· Turn and view the entire piece again in its entirety.

By giving the art work a patient inspection such as this, you will slowly develop an intuitive interpretation of what is being communicated by the artist. You may have to come back many times and each time the work may speak differently to you. But let it get inside you and change you because that is the deeper value of truly great modern art.



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Mystical Abstract Art

Mystical Abstract Art: Mystical Abstract Art
POSTED ON JULY 18, 2020 BY FGB
18
Jul

M4034S-4211

Title:
Mystical Abstract Art

Word Count:
694

Summary:
When attempts have been made to describe a work of abstract art many people have used words like “feelings”, “emotions”, and “soul”. I think these words are clues to what is actually happening within both the viewer and the artist.

The world of art and the environment of the mystical go back a long way together with many facets in common with one another – one being that they both seek to look into a deep unknown – and then seek to manifest it into this physical world by o…

Keywords:
mystical,abstract, art,pictures,spiritual

Article Body:
When attempts have been made to describe a work of abstract art many people have used words like “feelings”, “emotions”, and “soul”. I think these words are clues to what is actually happening within both the viewer and the artist.

The world of art and the environment of the mystical go back a long way together with many facets in common with one another – one being that they both seek to look into a deep unknown – and then seek to manifest it into this physical world by one means or another.

Therefore it is understandable that a non-representational picture can be difficult to comment on. The viewer might be “moved” by the artwork, but they may not really know why. I believe it has something to do with their sleeping soul being gently (or violently) shaken into a specific awareness. The earthy physical body may have very little understanding as to what might be happening, so they are left to struggle in explaining a spiritual concept from a physical point of view.

However, as an artist who has acquired (and lives by) a little understanding of certain spiritual aspects, here are my offerings of what I believe happens when a viewer comes across a mystical abstract painting.

In order to do that I want to present the whole episode from all aspects:

The Spirit
One of the Spirit’s major intentions is to bring spiritual understanding into the physical realm. One way to do that is to enter time and manifest a potential opportunity for a receptive body. That receptive body can either be the person being offered the opportunity – or the messenger of it. If they are the messenger then there are many ways in which that message can be put across … and one of them is by producing a provocative illustration or allegory in the form of an abstract painting.

The Messenger
… Or Artist in this case … Or more specifically an artist who is prone to take note of their own inner enigmatic visuals. Once inspired the artist then sets about translating these visions into a personal style of depiction. I think it is quite probable that many an artist will be unconscious of what exactly they are putting down upon the canvas … all they might know is that there is an urgent complusion to work with particular colours, or in a specific style.

The Art
A personalized manifestation of the inner visuals … portrayed on board or canvas – or any other handy appropriate medium at the time. The artist lets the visual take shape in their mind and allows for interpretation into the physical world … which results in an artwork of surreal allegory, or be-riddled story, or just a simple abstract presentation of specific colours or shapes. Each element of the art will include (or be) a potential key ready to allow the appropriate viewer entrance into its intriguing yet creative environment.

The Viewer
A receptive observer viewing the art may initially have an indefinable affinity with it. They are perhaps first emotionally drawn to the image before them. And as their thoughts begin to trigger other thoughts, gradual realizations start to become apparent … gaining strength until they acquire a personal creative understanding seen only by themselves but which may eventually involve others who come into contact with them.

The Gift
The originally unknown vision now begins to unfold its truth within the receptive viewer. This can be in many guises … a simple affirmation … a personal revelation … a specific spiritual, mental, or inner encouragement … an energizing edification for a hungry or floundering soul … offering a sense of contentment within a challenging situation … This gift can be as simple or as complicated as is required for the viewer. Its influence can be timeless – remaining relevant over a period of days, weeks, months, or years.

So the next time you seek to produce a piece of art or decide to visit a gallery do not hesitate or dwell upon any lack within you … rather open your eyes (after all they are supposed to be the windows of the body) and prepare yourself to either see in order to create – or see in order to receive.

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Buying Abstract Paintings

Buying Abstract Paintings: Buying Abstract Paintings
POSTED ON JULY 15, 2020 BY FGB
15
Jul

M4034S-4211
Buying Abstract Paintings

Buying and collecting abstract painting can be a labor of love. I love abstract paintings. I think that my favorite medium is gouache. I recently purchased a work from Oscar Bluemner. The person I bought the abstract painting from had it in storage for over twenty years. I am going to hang this piece in my office.

I found an oil abstract painting that was dated 1947 that was painted by Louis Bassi Siegriest. I liked the composition, it felt oddly soothing. The artist signed the back of the painting. It was a little out of my price range, but I bought it anyway.

Trade Winds is the name of an abstract painting I bought from the artist Joanne Riddle while I was in Connecticut. The piece was huge and I had to have it sent by freight to my home. The blue in the painting was so vivid. The whole composition was absolutely inspired.

I bought an abstract painting for my sister-in-law last year. The artist of the piece was Leonardo Nierman and the medium he used was oil. I bought the piece unframed and took my sister-in-law to framer to choose the frame.

I tried to buy an abstract painting from the mayor of our town. I offered him two thousand dollars for the modernist abstract colorful figure. The artist used red, white and blue and I wanted to acquire this for my stepmother. She would have loved it, but the mayor was unwilling to part with it.

My mother has decorated her home in a style that she liked in Santa Fe. I bought a large abstract painting for her from her favorite artist, Lou Monti. She has seen his work in a number of homes and always raves about them. She was so happy when she saw the painting I bought for her hanging on the wall of her living room.

I dated a guy once that had a signed abstract painting by Robert Gilberg on his wall. I saw something different every time I saw it. That painting had an attraction that I just can’t quite explain. He was always buying art and changing out abstract paintings on his walls, but this particular piece always stayed. I guess he was attracted to it as well.

The abstract painting that I bought for my older brother did not work in his apartment. I ended up buying a painting that was a little too large for the room it was intended for. The colors did not work in the only room that worked for its size.

I ended up selling that abstract painting the same place that I had bought it, on eBay! I ended up making a profit on the abstract painting. There was more information in my auction about the artist, Richard Diebenkorn, than there had been in the auction that I won. I think the extra hour of research I spent made the abstract painting’s value increase.

I learned a long time ago that an abstract painting is worth exactly as much as someone is willing to pay for it. I have friends that just cannot be convinced of this basic truth. I think that if no one wants a particular abstract painting, then it is worth nothing.

My brother used the money from the sale of the unwanted abstract painting to find himself another abstract painting. He ended up with an abstract collage that was made in the late 1930s. I liked it when I saw it and it worked beautifully in his office.

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Abstract Art As Therapy

Abstract Art As Therapy

Summary:

Abstract art is not just a mixture of colourful meaningless patterns and arbitrary shapes.

There is, I believe, a definate therapeutic value to be found in most of the enigmatic marks made by the very different styles available today. What appears to be the most important decision to make is a very careful consideration of the specific audience in conjunction with the choosing of the appropriate artwork. This is not something to be taken lightly or quickly. This can cover …

Keywords:

abstract,art,painting,therapy

Article Body:

Abstract art is not just a mixture of colourful meaningless patterns and arbitrary shapes.

There is, I believe, a definate therapeutic value to be found in most of the enigmatic marks made by the very different styles available today. What appears to be the most important decision to make is a very careful consideration of the specific audience in conjunction with the choosing of the appropriate artwork. This is not something to be taken lightly or quickly. This can cover anybody within the wide spectrum of individual audiences: a busy boardroom environment or a single office or room where quick thinking, fast reactions, and serious decision making is required; or a worker who returns from a hard days work simply wanting to be visually massaged by an easily observed enigma; or even the space inwhich the desperate and mostly misunderstood person who is gradually loosing their tentative hold on the sense of reality. There is a tremendous variety of possibilities.

Here are some suggested associations from one artists point of view:

Colour plays an obvious healing and therapeutic role to be found in a carefully selected crafted piece, and so colour-field work, which is growing in popularity, first conceived by artists like Mark Rothko and Ellsworth Kelly with their vast areas of empty colour space, might add a general feeling of peace and quiet to an otherwise noisy and hectic environment. With there being very few variations within such a large image a gentle sense of immersion into abstract stillness can slow down any fretful or irratic thinking, and even assist with the adrenal challenge of a creative.

Indefinate shapes or patterns by the likes of Jackson Pollock, Peter Lanyon, and Howard Hodgkin (again, similar works inspired by these very different abstract styles can be seen in many exhibitions, shops and galleries), show a very positive association, and may perhaps persuade a mind filled with illogical thoughts to pause, simply take in the apparent spontenaiety, and then take a different direction. Hodgkin style works in particular can be seen as puzzle like canvases inwhich the observer has no real point of reference so is free to “start” anywhere upon the picture. And because there are very few defined areas sometimes the observer inevitably finds themself either regarding the piece with little emotion, and therefore can freely make a comment – positive or not.

Let us not deny, however, the fact that many an image that has the potential to provoke a negative response can also be of great value to the observer who might actually benefit from seeing such a challenging picture that bears such a bad association. Better there on the wall than here inside the head. In this case the classic associations of red for blood and danger, black for death and sin, brown for decay and illness, along with dramatic lines and movements found in a painting are equally valuable stimulii if revealed within the appropriate environment. This comes back to my point made at the beginning – when choosing a picture, very careful consideration must be taken in order to find that one work of art which speaks directly to the very deepest parts of the observer.

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